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As for the minuses, the "Acrid Placidity" interlude was unnecessarily placed here, and the "squeaky" ending of "Beneath" (but the actual song itself fares really well). A small reference to the debut was found only in "Transfixion" and "Vanished" (due to a slightly more thrash metal feeling), but the feel of the djent style is the most interesting here. Just take a closer look at "Terminal Illusions", "Sublevels", "Burn", "Inside What's Within Behind" or "Future Breed Machine" and hear how much the atmosphere of the album is inhuman. A huge contribution of this, of course, to the ingenuity of Fredrik Thordendal and Tomas Haake, but also to the empathy of Jens Kidman, whose screaming vocals (as I jokingly describe it, as an angry James Hetfield) even more cause the overall, futuristic atmosphere of the album. "Destroy, Erase, Improve" is extremely nervous, heavy and overwhelming, and at the same time very mathematical and with a lot of progressive inserts. And best of all, all these twisted news came out to the group on "Destroy." really delicious. Absolutely not! On their second album, the Swedes from Meshuggah - above all - put much more emphasis on math rhythms, groove metal heaviness, bizarrely crazy progression and a highly dehumanized atmosphere. Fortunately, that doesn't mean that the band decided to extend that mini-cd either without thinking or serving the same patterns in too similar version. The turning point for the content of "Destroy, Erase, Improve" is the songs "Humiliative", "Gods Of Rapture" and "Sickening" from "None".
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From this album, the band of Fredrik Thordendal in its full glory gained the reputation of pioneers of the djent (which the musicians themselves are surprisingly not very fond of). However, hype did not come out of nowhere, the mid-90s of the twentieth century was generally abundant in groovy playing in the metal mainstream of that time, in turn what was on the "Destroy, Erase, Improve" was quite neatly in line with these trends and brought a breath of fresh air. Shortly after the "None", just a year later "Destroy, Erase, Improve" was released and the Swedes from Meshuggah made a lot more hype than last time.